Акс:Malik Shah Rustam in the Presence of Shah Isma'il, illustrated folio from a manuscript of the Tarikh-i `Alamara-yi Shah Isma`il, Isfahan (Iran), c. 1688.jpg
Акси аслӣ ((644 × 1 024 пиксел, ҳаҷми парванда: 177 кбайт, навъи MIME: image/jpeg))
Хулоса
| Artist |
|
|||||||||||||||||||
| Тавсифот |
English: Malik Shah Rustam in the Presence of Shah Isma'il, illustrated folio from a manuscript of the Tarikh-i `Alamara-yi Shah Isma`il
This is a folio with painting that has been detached from a manuscript of the Tarikh-i `Alamara-yi Shah Isma`il. Four lines of Persian in nastal'iq script frame a painting of figures kneeling in a garden pavilion. A caption in red ink in the left margin identifies this scene as "Malik Shah Rustam in the Presence of Shah Isma`il." The main figures in the scene are identified by inscriptions written on their bodies. The kneeling figure framed by the architecture is Isma'il and the rotund, white-bearded figure is Malik Shah Rustam. The painting illustrates an episode from the life of the Shah Isma`il (d. 1524), founder of the Safavid dynasty in Iran that took place around the year 1508. The story relates the arrival of the Lur chieftain Malik Shah Rustam at the royal camp. Delighted by the chieftain's accent, Isma'il ordered that Malik Shah's beard be filled with gems, and further ordered a jewel-studded cover for it. This painting is unsigned, but it is almost certainly the work of Mu`in Musavvir, one of the most prolific Persian artists of the seventeenth century and the last important practitioner of the classical style.العربية: هذه اللوحة تم رسمها للأتابك شاه رستم الأول الخورشيدي وهو يجلس مع الشاه إسماعيل الأول في العاصمة الصفوية بعد إنعقاد الصلح بينهما سنة 1688م. |
|||||||||||||||||||
| Сана | circa 1688 | |||||||||||||||||||
| Source/Photographer | https://www.harvardartmuseums.org/art/317617 | |||||||||||||||||||
Иҷозатнома
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.  | ||||
,_c._1688.jpg){kind=link}
Таърихи файл
Рӯи таърихҳо клик кунед то нусхаи марбути парвандаро бубинед.
| Таърих | Бандангуштӣ | Андоза | Корбар | Тавзеҳ | |
|---|---|---|---|---|---|
| нусхаи феълӣ | 20:19, 24 ноябри 2019 | | 644 × 1 024 (177 кбайт) | Hassan 20 | User created page with UploadWizard |
Пайвандҳо
Саҳифаҳои зерин ба ин акс пайванданд:
Истифодаи саросарии парванда
Викиҳои дигари зерин ин файлро истифода мекунанд:
- Истифода дар ar.wikipedia.org
- Истифода дар arz.wikipedia.org
- Истифода дар ba.wikipedia.org
- Истифода дар ca.wikipedia.org
- Истифода дар en.wikipedia.org
- Истифода дар eu.wikipedia.org
- Истифода дар fa.wikipedia.org
- Истифода дар www.wikidata.org
,_c._1688.jpg){kind=link}